Soon after placing yesterday’s post about the Chronology of loom knitting online my attention was called to a significant error in one of the points it made. Socks can be knitted on a peg loom both downward from the cuff and upward from the toe. The knitted tubes made in Egypt beginning around the 5th… Continue reading Bloopography
The tools and techniques described in detail in the initial wave of 19th-century publications about diversionary fancywork represent crafts in practice at that time. Although some clues are provided about their histories, little can be deduced about their actual ages and origins. The drawing of purse molds from 1842 that provides this blog’s logo is… Continue reading The chronology of loom knitting
One of the recurring topics in the discussion of Tunisian crochet is whether fabric produced with a double-ended hook should be regarded as a variant form of ordinary Tunisian crochet or as an entity of its own. The earliest instructions calling for that tool that I have been able to locate so far are in… Continue reading More about the double-ended Tunisian crochet hook
Emilie Bach (b. 1840), a founding director of the Royal School for Artistic Embroidery (k. k. Fachschule für Kunststickerei) in Vienna, was one of the initial participants in the discussion of the techniques used for the early production of non-woven socks in Egypt. She was the first to identify a cross-knit fabric structure in such… Continue reading The 3000-year-old stitch eyes of Emilie Bach
The 1 January 1864 issue of the German biweekly magazine Der Bazar (discussed at length in the post before last) includes instructions that prescribe the use of a flat crochet hook in a form that is essentially identical to the one shown in the earliest known description of that tool, published in 1785. It is called… Continue reading The shepherd’s hook in mid-19th-century fancywork
This post is temporarily offline I’m currently preparing an article for publication about the broader topic covered by this post. When the article has appeared, I’ll place a link to it here, with the initial text of the post edited to provide supplementary information.
In January 1864, a Swedish monthly publication for fashion and fancywork commenced publication with the title Iduna, a Norse goddess associated with femininity and knowledge. Iduna, Journal for the Tasks and Concerns of Women, with Supplementary Patterns for Counted and Free Embroidery, Crochet, and Knitting, plus Fashion Plates. It was the latest in a series of… Continue reading Tunisian crochet in Sweden in the 1860s