Musical Instruments

Slurred miscellany

Recent posts have examined the structural and musical attributes of a variety of zithers. They include a few that were derived from the concert zither but little has been said about the parent instrument. It originated through a fusion of Alpine designs and is still used in traditional contexts.

The melody is played with the thumb alone, which nearly always plucks the strings from the same direction. The speed this can attain is seen in a classical work arranged for the same basic ensemble. The use of the left hand to “hammer on” notes seen at the outset of the performance will be discussed further below.

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Musical Instruments

Zithers gain leverage

Toward the end of the 19th century mechanical devices began to proliferate on zithers. Most of them were short lived, if marketed at all, but a few came into persistent use. One of their purposes was to enable a sequence of strings tuned diatonically in a given key to be shifted into others. Although this can obviously be effected simply by retuning the strings, for example, altering a G major scale to D major by raising all C strings to C♯, rapid changes require a more nimble auxiliary device.

Corresponding mechanisms were applied to chordal string arrangements, altering a block of strings from one type of chord to another. This was illustrated in the preceding post with a Swedish harp zither patented in 1886 by Adolf Larsson, equipped with a mechanism for shifting each supported major chord to the parallel minor or a seventh. This post’s banner image comes from a German patent (no. 266371) for an improvement on that device, issued to Larsson in 1913. A more recent two-position design is demonstrated here.

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