Recent posts have examined the structural and musical attributes of a variety of zithers. They include a few that were derived from the concert zither but little has been said about the parent instrument. It originated through a fusion of Alpine designs and is still used in traditional contexts.
The melody is played with the thumb alone, which nearly always plucks the strings from the same direction. The speed this can attain is seen in a classical work arranged for the same basic ensemble. The use of the left hand to “hammer on” notes seen at the outset of the performance will be discussed further below.
In contrast to the single strings of the concert zither, the hammered dulcimer next to it in the first video has multi-string courses. It is sometimes played by plucking the strings directly with the fingertips (fueling debate about formal nomenclature and classification). This is the basic technique of another member of the zither family seen in previous posts; the qanun. It also has multi-string courses and the index fingers wear fingerpicks. The important thing to note in the following demonstration is the single targeting of the top string in a course.Continue reading “Slurred miscellany”